A mute comedy of the body that mocks the rigidity of social roles, human self-sufficiency, pretension. Performativity of the body in the gaps between silence and sound, shyness and excess, commonness and bizarre humour. Travesty of body and spirit as a sociopolitical liberation. Technoburlesque is an intersection of (programme/cybernetic) code and subjectivity; a laying bare […]
A mute comedy of the body that mocks the rigidity of social roles, human self-sufficiency, pretension. Performativity of the body in the gaps between silence and sound, shyness and excess, commonness and bizarre humour. Travesty of body and spirit as a sociopolitical liberation. Technoburlesque is an intersection of (programme/cybernetic) code and subjectivity; a laying bare […]
A mute comedy of the body that mocks the rigidity of social roles, human self-sufficiency, pretension. Performativity of the body in the gaps between silence and sound, shyness and excess, commonness and bizarre humour. Travesty of body and spirit as a sociopolitical liberation. Technoburlesque is an intersection of (programme/cybernetic) code and subjectivity; a laying bare […]
http://www.bunker.si/eng/festivals/mladi-levi
There is one moment in Maja Delak’s Shame that, at least for me, completely overshadows everything else: a young woman, completely naked, wrapped up in a semitransparent piece of cloth, is climbing down the ladder, but something, anything is constantly in her way, making it impossible for her to take the most logical path. She […]
http://emanat.si/si/produkcija/maja-delak–kaj-če/ Sodelavci Ustvarjalka in izvajalka: Maja Delak Glasba: Luka Prinčič Besedila: Saša Rakef, Maja Delak Dramaturgija: Katja Čičigoj Scenografija: Irena Pivka Kostumografija: Urška Recer Programiranje: Jakob Leben, Luka Prinčič Oblikovanje luči: Urška Vohar Grafično oblikovanje: Saša Kerkoš Prevodi: Katja Kosi, Nataša Živković Fotografinja: Nada Žgank Izvršna produkcija: Saša Rakef, Nina Janež What if / Kaj […]
A mute comedy of the body that mocks the rigidity of social roles, human self-sufficiency, pretension. Performativity of the body in the gaps between silence and sound, shyness and excess, commonness and bizarre humour. Travesty of body and spirit as a sociopolitical liberation. Technoburlesque is an intersection of (programme/cybernetic) code and subjectivity; a laying bare […]
n collaboration with the participants of the Beyond Burlesque! workshop conducted by Ursula Martinez. Upon a special jubilee and utterly festive anniversary of the City of Women, this year’s celebration is also joined by Image Snatchers, which will seduce the audience with their bittersweet vignettes of distortion, mocking, travesty and cross-dressing on the penultimate night […]
A mute comedy of the body that mocks the rigidity of social roles, human self-sufficiency, pretension. Performativity of the body in the gaps between silence and sound, shyness and excess, commonness and bizarre humour. Travesty of body and spirit as a sociopolitical liberation. Technoburlesque is an intersection of (programme/cybernetic) code and subjectivity; a laying bare […]
bunker.si/eng/festivals/drugajanje-festival A mute comedy of the body that mocks the rigidity of social roles, human self-sufficiency, pretension. Performativity of the body in the gaps between silence and sound, shyness and excess, commonness and bizarre humour. Travesty of body and spirit as a sociopolitical liberation. Technoburlesque is an intersection of (programme/cybernetic) code and subjectivity; a laying […]
A mute comedy of the body that mocks the rigidity of social roles, human self-sufficiency, pretension. Performativity of the body in the gaps between silence and sound, shyness and excess, commonness and bizarre humour. Travesty of body and spirit as a sociopolitical liberation. Technoburlesque is an intersection of (programme/cybernetic) code and subjectivity; a laying bare […]
WARM-UP: Lifecutter Music-dance performance ARP 339 is a sonogram of cyberfuturistic potentiality. Instead of being caught in a concert format, though reminiscent of it, ARP 339 springs from all directions at once. The performance is an attempt at constructing a utopian world that explores the decomposition of spatial limitations of the three-dimensional reality, introducing into […]
