Solo audio-visual performance deals with fractures, cracks and openings of contemporary medium – which is considered to be the multitude of interfaces between humans and machines. These are not considered exclusively and severly separated, – in other words, interfaces exist between entities that can be either humans, machines or (and most probably) somewhere inbetween. These are post-digital, post-informational times and surely it seems irresponsible to persist with dualistic man-vs-machine, or digital-vs-analogue perspective.
The performance is using video and audio recordings, samples, clips, snippets from everywhere with intention to transform, mutilate, degenerate, distort and deconstruct in real-time event, in order to reconstruct new assemblages of sonifications and visions (moving images) based on affective tonalities of vision and imagery without reference. Not “pure” abstract art but more – lived abstractions.