“Technoburlesque: Image Snatchers EP” is based on a series of club evenings of the same name created in 2013 by The Feminalz: Tristan Bargeld, Mathilde Buns, H.P.D. (hormonal perturbator in decay), Mad Jakale, Frau Strapatz, Crucial Pink, and guests. For such a variete show, that contained dance, singing, acting and improvisation in parts, with a comical and criticial bend number of electronic musical fragments and reworked reappropriated recordings were written and produced. While the series continues in 2014 and onwards with new noise eruptions and electronic remixes Nova deViator gathered sound fragments for this EP and additionally upgraded, reworked and “composted” them.
Tracklist:
1. A Štekaš (M.A.C.H.O.) [07:18]
2. Mermaid [09:29]
3. Cica-san (Baš Me Briga) [03:28]
4. O Corpo [03:12]
5. Sig Bender [06:46]
produced & remixed by Nova deViator
tracks 1, 2 and 5 mixed by Igor Vuk
tracks 3 and 4 mixed by Nova deViator
mastering by Igor Vuk
vocals by Tristan Bargeld (4, 5), Mathilde Buns (4), H.P.D. (4), Mad Jakale (1,5)
graphic design: Tina Ivezić
hand-made packaging: Maruji
photo: Nada Žgank
limited edition of 50 copies (numbered)
available as digital download (name your price) and hand-made limited edition CDr
some rights reserved under the licence “Creative Commons Attribution Share-alike” (CC BY-SA 2.5)
media support Radio Študent, Ljubljana
financially supported by City Municipality of Ljubljana, European Cultural Fundation and Ministry of Culture of Republic of Slovenia
a 2014 Emanat production
emanat.si/en/publishing/image-snatchers-ep
“Luka Prinčič je že stari znanec slovenskega alternativnega in eksperimentalnejšega glasbenega miljeja, toda vso raznolikost njegovega glasbenega izraza odkrivamo šele in predvsem ob najnovejših izdajah. Če se je prvotni stil vezal predvsem na estetiko IDM-ja in drugih elektronskih godb poznih devetdesetih, je v tem času Prinčič bolj suvereno zabredel v ambientalne vode (Sad Sam Lucky Outtakes), z izdajo Image Snatchers EP pa se je ob novejših tokovih elektronske glasbe – tako pri komadu A štekaš? (M.A.C.H.O.) zaslišimo elemente halfstepovskih nabasiranih zvokov britanskega podtalja, na Mermaid pa hipnagogične in na vse strani razširjene zvoke ambientalnih eksperimentov – preizkusil tudi v svojevrstnem prirejanju bolj mainstreamovskih hitičev […] [Na] tem ploščku [se mi] zdi […] zanimiva Prinčičeva pozicija znotraj slovenske eksperimentalne in elektronske glasbe, ki jo z vsakim novim ploščkom razprši, a obenem (in mogoče ravno zaradi tega) tudi utrdi. Technoburlesque: Image Snatchers EP je tako še ena v seriji izdaj, ki zapolnjujejo prazne prostore sodobne slovenske eksperimentalne godbe, in le nadejam se lahko, da bo Prinčič s takšnim raznorodnim pojavljanjem zvokov nadaljeval tudi v prihodnje.” — Andrej Tomažin, Most med burlesko in tehnom ali kako priredbe prodati kot original
