Inspiration

Things that other do or did and made an impact. (see also http://novadeviator.tumblr.com for another stream of inspirations)

Art is a Form Which Creates Emotions and Experiences

… the minds of men and women are affected by the social impact of technical inventions […] the souls of people are moved by communication systems — unconsciously in the technical sense. […] Film, like any other art form, is not an expression of man “but a form which creates” emotions and creates experiences “out of the very nature of the instrument.”

— Ute Holl, Moving the Dancers’ Souls, from Maya Deren and the American Avant-Garde

the violation of expectation

I hear a lot of copycat boom-bap from younger players who sneer at “tradition,” as well as old farts who miss the boat by not taking up at least some of the new tools. There’s merit to both and plenty of it, but letting Marketing lead you around by the nose is not a good plan. If you really want to impress, your music needs to say something more than “I has shiny toys.” Part of the problem is that a lot of people stick to their social group music too much and don’t explore other styles. That leads to inbreeding and a lack of really standout virtuoso moments. So its not that this piece is “bad;” its for sure well-crafted. It just lacks enough counterpoint and small risks to define itself. Its basically a percussion track looking for more involved melody and harmony to give it context. Moving outside just 4/4 would also help. Leonard Bernstein once referred to good music as engaging in “the violation of expectation.” Most dance never challenges my expectations. People should think about coloring outside the lines more often.

via New Video Features Controllerism Gone Wild » Synthtopia.

A Club Called Rhonda, sex-positive, queer-friendly, multiethnic

Both of them felt there was a need in LA for what Granic calls, “a safe place for the deviants, a place where gay and straight nightlife wasn’t so compartmentalized but instead encouraged to mingle.” For Alexander, ACCR is neither a gay club nor a straight club nor even a bisexual club, but rather, “all that and more; it’s a place where you can go to shed those labels and break down those walls in the interest of having a good time.” There’s a real effort to make a mess of neat sexual identities and create something more fluid. “Everybody is an opportunity,” Alexander says.

This isn’t to say that there weren’t challenges in creating an event where partygoers can feel comfortable playing with their sexual identities. “We’ve had to deal with some issues regarding gender and sexuality in the club before,” says Alexander. “When you go into a new venue and start working with a new security team, there always has to be a very clear conversation about the fact that anything goes. There is no dress code, no judgment and absolutely no violence allowed.”

— Gregory Alexander and Loren Granic on A Club Called Rhonda that has been going strong in Los Angeles since about 2008, functioning as a sex-positive, queer-friendly, multiethnic monthly event devoted to what its organizers call “polysexual hard partying.” via RA: An alternate history of sexuality in club culture.

Kim Boekbinder: Money Sells

An article from medium.com – https://medium.com/artists-on-the-internet/8a57c5cf3fdb – brings about some really good quotes:

 Why pay for art at all? Because we can.

As more artists are honest about what it takes to make their art we learn that we, the crowd, are what makes more art possible. [Internet enables] a more honest way for crowd and artist to engage without a middle agent blocking access and demanding payment.

The internet has given us all the opportunity to be engaged in the creation of new art and new knowledge without the need to be corporations, advertisers, religions, or governments.

Every choice we make, every action we take, every thing we pay for actively builds the world around us.

When we choose what amount to pay we are actively valuing the art and our own time. When we back a crowdfunding project we are using our money to do more than buy an object, we are using our money to create something new in the world.

When you pay for my music, you pay for it with your time, a little bit of your life. And since my art is my time, our exchange is one of life for life.

It’s not just up to artists to become better business people — for some that just won’t ever happen. It’s time for us — fans, supporters, listeners, readers, lovers of art, culture, knowledge — to step up.

The internet has given us a way to pay attention to the art, knowledge, culture, and science that may not be sexy enough for the media because it isn’t making any money.

People who think that artists should just make sellable art or learn how to run a business, people who believe in a magical meritocracy where money and value are perfectly balanced and measured out by an invisible guiding hand to those who deserve it, will continue to live in a world filled with art, surviving on the cultural welfare of those of us who do support art.

Your money is your time. Your money is your choice. Your money is a tool you use to make the world around you.

What world do you want to live in?

Continue reading →

Misconceptions About Communism (and Capitalism)

The US’s particular brand of capitalism required exterminating a continent’s worth of indigenous people and enslaving millions of kidnapped Africans. And all the capitalist industry was only possible because white women, considered the property of their fathers and husbands, were performing the invisible tasks of child-rearing and housework, without remuneration. Three cheers for free exchange.

[…]

It should be intuitive that capitalism, which glorifies rapid growth amidst ruthless competition, would produce great acts of violence and deprivation, but somehow its defenders are convinced that it is always and everywhere a force for righteousness and liberation. Let them try to convince the tens of millions of people who die of malnutrition every year because the free market is incapable of engineering a situation in which less than half of the world’s food is thrown away.

[…]

…most of the greatest art under capitalism has always come from people who are oppressed and alienated (see: the blues, jazz, rock & roll, and hip-hop). Then, thanks to capitalism, it is homogenized, marketed, and milked for all its value by the “entrepreneurs” sitting at the top of the heap, stroking their satiated flanks in admiration of themselves for getting everyone beneath them to believe that we are free.

via 7 Huge Misconceptions About Communism (and Capitalism) | Alternet.

some simple programming advice

I found the following at Kevin Element’s website. This article was written by Robert Hodgin, an interactive artist and media guru, after presenting at the EYEO Conference in 2011. You can find Robert’s site at www.flight404.com, or www.roberthodgin.com

Iterate

Your first attempt at anything is likely going to suck. Let’s face it, most of us are not phenoms. In fact, I cannot think of a single person I have met in my 38+ years who was able to excel at something shortly after trying it for the first time. We all need practice, and lots of it, for everything we try. From learning to talk and walk, to learning to play an instrument, to learning to drive, to learning how to be a social creature… it all takes practice.

Want to know how to get better at something? Do it over and over. And over and over and over.

However, it cannot just be mindless repetition. There are two additional factors that need to come into play. You need to also do the following:

1) Correct. You should work on fixing the things that didn’t go right with the previous iteration. Make a list of the things you want to address. Tackle the big items when you have a clear head and a nice block of time. Otherwise, pick off the smaller ones. However, don’t get overzealous with your corrections. If you happen to mutate your project into something interesting but unintended, save this mutation so you don’t overwrite it. I have lost some nice bug-made oddities because I was too concerned with fixing errors.

2) Improve. You should research the field to try and learn things to add to future iterations. This means looking at what people have already done and also what people are trying to do. Staying on top of advancements in your field of interest is definitely worth the effort. Unfortunately, this may mean you find yourself looking over SIGGRAPH white papers or University theses that are over your head. This is fine. Don’t get too caught up with not understanding what is written. Just look at the pictures if that is all you can manage. The important thing is to continually expose yourself to information about your interests.

Collaborate

I don’t know how many of you played D&D as a kid (or as an adult… no judgement here) but I will speak now as if all of you have. When you roll up a new character, unless you cheat it is highly unlikely you will create a demigod. You might have a 18 here or a 16 there, but you will never ever roll up a character with an 18 for every attribute. Ideally you will have one high attribute, perhaps an 18 strength. With an 18 strength, you would make a fantastic fighter. So off into battle you go.

But life, fantasy or not, is never easy. Your first run-in with a couple filthy thieves results in a gash across your chest and you drop half your hit points and suddenly you start to suffer the reality of the situation. You need healing abilities. So what do you do? Well, you don’t go running to the library to start a multi-year process to learn how to cast a healing spell. Instead, you find a cleric who has an 18 wisdom but happens to suck at fighting and you join forces. Now, you are much more powerful than the sum of your respective skills.

And the beauty of this setup is that nobody feels like they are being taken for granted. The fighter has an intense appreciation for the healing abilities of his new cleric friend, and the cleric is thrilled to have found someone that can fight off the horrible monsters that lurk out in the wilds. So if you are a fighter, find yourself a cleric friend. If you are a cleric, track down some muscle for hire. Because if you don’t, you will live a limited life and never get to see what is on the other side of the dark forests at the base of Mount Craggyspire. Or whatever.

I have spent much of my coding career learning how to manipulate particles and figuring out how to make OpenGL make things pretty. But I suck at many other aspects of coding. Which is why the projects involving collaboration ended up being the most successful. The visualizers I have made with Andrew Bell, and the Planetary iPad app which I am currently developing with Bloom… those projects have meant the most to me and I am damn certain I would not have been able to make them on my own.

Baby Steps

I went through a talk I gave in 2004 and saw a slide that, though a bit harsh, still represents the best advice I can give to young idealistic coders. It said, in bright red on white, TAKE TINY STEPS OR FAIL!!! and the FAIL!!! bit was flashing on and off for emphasis.

A problem I suffer (and hopefully it isn’t just me) is that I see something awesome someone else made and it gets my mind churning and I start thinking “I can totally do a 3D terrain simulation with physics, CLoD implementation, and realtime weather effects” so I dive right into XCode and start making my Globe class and the Weather class and on and on and before you know it, I feel extremely overwhelmed which usually has me running for the remote so I can watch science documentaries in an attempt to distract my bruised ego. Knowing exactly what you want to make can often be the largest barrier in your creative journey.

My advice in this situation is to take some time to break the problem up into bite size pieces. Work on little prototypes. Explore each tiny concept and eventually, start to put them together. If you are too focused on the gap between what you envision and what you currently have, you will likely lose faith.

Plus, if you have a bunch of well-understood bite size pieces, it will make it much easier to combine them into bigger projects. But if you start in with building a big project, it is much more difficult to pull out the pieces you want to repurpose later.

Take a walk or a shower

This may not work for everyone but it has been very useful to me. If I am stuck, either creatively or programmatically, I go for a walk. Or if it is late in the evening, I will take a hot shower. Something about those two activities really helps me clear away the mental fog and helps me to focus on the issues at hand. I have cleared many a hurdle just by putting on my headphones, slipping on some shoes, and going for a walk through the neighborhoods of San Francisco. This doesn’t mean walking over to the neighborhood bar for a drink. Walk while mulling over the problem at hand and head home when you have an idea of what to try next.

I realize what I am writing here is nothing new. We have all heard these points made by many. They have reached rockstar cliché status. But this doesn’t mean it isn’t worthwhile to be reminded every now and again.

Ira Glass on creativity: http://www.youtube.com/watch?v=BI23U7U2aUY